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Maggie Tulliver

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... present/Mama in the past, Maggie in the past/Maggie in the present, and framed/unframed narrative. One might say that A DESTRUCTIVE SOCIETY IN MAGGIE In Maggie, Stephen Crane deals with poverty and vice, not out of curiosity or to promote debauchery but as a defiant When Dee hears that Mama had promised the quilts to Maggie, she explodes, "'Maggie can't appreciate these quilts! ... it is not just Mama's guilt for having sided with Dee against Maggie, her having "turned" on Maggie, that brings Mama to have been uttered by Maggie, and not her: "Your heritage...you ought to try to make something of yourself, too, Maggie. ...



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Sources list for MAGGIE TULLIVER:

Martin, J. (1967). Maggie and Satire. Harvests of Change.
"Maggie: A Girl of the Streets"

Irving, Katrina. "Gendered space, racialized space: nativism, The Immigrant Woman and Stephen Crane's Maggie." College Literature 20(3) (1993): 30-43.
Stephen Crane’s "Maggie: A Girl of the Streets"

Pizer, D. (1965). Stephen Crane's Maggie and American Naturalism. Criticism.
"Maggie: A Girl of the Streets"

Crane, Stephen. Maggie: A Girl of the Streets. New York: Bantam Doubleday. January 1986.
Stephen Crane's Maggie

Garland, Hamlin. "Maggie: A Girl of the Streets." The Arena. June 1893. Reprinted in Twentieth Century Literary Criticism. ed. Dennis Poupard. Detroit: Gale Publishing. 1983.
Stephen Crane's Maggie

 

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